Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 10
Pagina 8-203
... Standardization . The previous discussion shows that the difference between popu- lar and serious music can be ... Standardization and non - standardization are the key con- trasting terms for the difference . Structural standardization ...
... Standardization . The previous discussion shows that the difference between popu- lar and serious music can be ... Standardization and non - standardization are the key con- trasting terms for the difference . Structural standardization ...
Pagina 8-205
... standardization , the production of popular music can be called " industrial " only in its promotion and distribu ... standardization - very different reasons from those which account for the standardization of motor cars and breakfast ...
... standardization , the production of popular music can be called " industrial " only in its promotion and distribu ... standardization - very different reasons from those which account for the standardization of motor cars and breakfast ...
Pagina 8-206
... standardization itself . Stylization of the ever identical framework is only one aspect of standardization . Concentration and control in our culture hide themselves in their very manifestation . Unhidden they would provoke resistance ...
... standardization itself . Stylization of the ever identical framework is only one aspect of standardization . Concentration and control in our culture hide themselves in their very manifestation . Unhidden they would provoke resistance ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing