Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-10
... stage direction , ' they march about the stage ' ; and in the next scene , after a brief passage of comedy , Capulet delivers his speech of welcome to the guests and maskers . The maskers have thus , without leaving the stage ...
... stage direction , ' they march about the stage ' ; and in the next scene , after a brief passage of comedy , Capulet delivers his speech of welcome to the guests and maskers . The maskers have thus , without leaving the stage ...
Pagina 8-84
... stage . Malvolio's ignorance of their presence is purely conven- tional , though admittedly such a convention was more manage- able on a long Elizabethan stage , with the audience packing close about it , than on a picture - frame stage ...
... stage . Malvolio's ignorance of their presence is purely conven- tional , though admittedly such a convention was more manage- able on a long Elizabethan stage , with the audience packing close about it , than on a picture - frame stage ...
Pagina 8-153
... stage life , in which elaborate variety shows formed a chief attraction . The story would usually have to do with the difficulties encountered by a company in producing a new show ; the film would be punctuated by ' shots ' of ...
... stage life , in which elaborate variety shows formed a chief attraction . The story would usually have to do with the difficulties encountered by a company in producing a new show ; the film would be punctuated by ' shots ' of ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing