Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-192
... social and political implications associated with the Brechtian Verfremdungseffekt . In discussing " alienation effect " in A Short Organum for the Theatre , Brecht might , in section 421 , not only be describing the kind of acting ...
... social and political implications associated with the Brechtian Verfremdungseffekt . In discussing " alienation effect " in A Short Organum for the Theatre , Brecht might , in section 421 , not only be describing the kind of acting ...
Pagina 8-258
... social structure in which the teen - ager finds himself . When he listens to music , even if no one else is around , he listens in a context of imaginary " others " -his listening is indeed often an effort to establish connection with ...
... social structure in which the teen - ager finds himself . When he listens to music , even if no one else is around , he listens in a context of imaginary " others " -his listening is indeed often an effort to establish connection with ...
Pagina 8-261
... Social Science ( New York : Institute of Social Research , 1941 ) , vol . 9 , and " A Social Critique of Radio Music , " Kenyon Revew , vol . 7 , p . 208 ( 1944 ) . 2. Martha Wolfenstein and Nathan Leites , Movies : A Psychological ...
... Social Science ( New York : Institute of Social Research , 1941 ) , vol . 9 , and " A Social Critique of Radio Music , " Kenyon Revew , vol . 7 , p . 208 ( 1944 ) . 2. Martha Wolfenstein and Nathan Leites , Movies : A Psychological ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing