Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-110
... significance of scriptural passages laid bare in their weekly sermons . And sermons were taken seriously in those days : by the elder members of a congregation they would be well criticised and discussed , while grammar - school boys of ...
... significance of scriptural passages laid bare in their weekly sermons . And sermons were taken seriously in those days : by the elder members of a congregation they would be well criticised and discussed , while grammar - school boys of ...
Pagina 8-112
... significance , for the significance is made clear , not by abstract correspondence , but by the suggestion of the organic poetic structure . After experiencing the play , it is possible to achieve an abstract state- ment of its significance ...
... significance , for the significance is made clear , not by abstract correspondence , but by the suggestion of the organic poetic structure . After experiencing the play , it is possible to achieve an abstract state- ment of its significance ...
Pagina 8-127
... significance , while Caesar , on the other hand , has no such selfless hold upon eternity . This is one way of poetically stating the resurrection of the body : · • . she looks like sleep , As she would catch another Antony In her ...
... significance , while Caesar , on the other hand , has no such selfless hold upon eternity . This is one way of poetically stating the resurrection of the body : · • . she looks like sleep , As she would catch another Antony In her ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing