Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xii
... serious music understanding is the act by which universal recognition leads to the emergence of something fundamentally new ' ( p . 215 ) . Popular music , argues Adorno , ' is transformed by objective processes into a language which ...
... serious music understanding is the act by which universal recognition leads to the emergence of something fundamentally new ' ( p . 215 ) . Popular music , argues Adorno , ' is transformed by objective processes into a language which ...
Pagina 8-201
... Serious music , for comparative purposes , may be thus charac- terized : Every detail derives its musical sense from ... serious music , for example , the minuetto and scherzo of the classical Viennese School . It may be maintained ...
... Serious music , for comparative purposes , may be thus charac- terized : Every detail derives its musical sense from ... serious music , for example , the minuetto and scherzo of the classical Viennese School . It may be maintained ...
Pagina 8-203
... serious music in general - we are not concerned here with bad serious music which may be as rigid and mechanical as popular music - the detail virtually contains the whole and leads to the exposition of the whole , while , at the same ...
... serious music in general - we are not concerned here with bad serious music which may be as rigid and mechanical as popular music - the detail virtually contains the whole and leads to the exposition of the whole , while , at the same ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing