Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-73
... sense of verbal implications . Obvious naturalistic inductions are , of course , valid : the dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will ...
... sense of verbal implications . Obvious naturalistic inductions are , of course , valid : the dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will ...
Pagina 8-111
... sense - experience is then utilised by the intellect in its approach to general problems . This is the organic mind , in which intellect and sense are united in one compound experienc- ing whole . I do not suggest , then , that a ...
... sense - experience is then utilised by the intellect in its approach to general problems . This is the organic mind , in which intellect and sense are united in one compound experienc- ing whole . I do not suggest , then , that a ...
Pagina 8-201
... sense from the concrete totality of the piece which , in turn , consists of the life relationship of the details and never of a mere enforcement of a musical scheme . For example , in the introduction of the first movement of ...
... sense from the concrete totality of the piece which , in turn , consists of the life relationship of the details and never of a mere enforcement of a musical scheme . For example , in the introduction of the first movement of ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing