Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-11
... seem to be with modern naturalism , so that he is also incapable of appreciating the dramatic subtleties made available by a conventional tradition . He speaks disparagingly of Shake- speare's ' primitive ' art - form , and seems to ...
... seem to be with modern naturalism , so that he is also incapable of appreciating the dramatic subtleties made available by a conventional tradition . He speaks disparagingly of Shake- speare's ' primitive ' art - form , and seems to ...
Pagina 8-56
... seems to be compared with Our Lord : Fairest Cordelia , that art most rich , being poor ; Most choice , forsaken ; and most loved , despised ! ( 1. i . 253 ) On another occasion we find Cordelia herself using language which directly ...
... seems to be compared with Our Lord : Fairest Cordelia , that art most rich , being poor ; Most choice , forsaken ; and most loved , despised ! ( 1. i . 253 ) On another occasion we find Cordelia herself using language which directly ...
Pagina 8-235
... seems to be saying is that we tend to magnify difficulties , and that reverie ( artificially or naturally pro- duced ) places problems in their proper perspective : Things never are as bad as they seem , 1 So Dream , Dream , Dream.2 In ...
... seems to be saying is that we tend to magnify difficulties , and that reverie ( artificially or naturally pro- duced ) places problems in their proper perspective : Things never are as bad as they seem , 1 So Dream , Dream , Dream.2 In ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing