Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-12
... remember that these are not rules but sweeping generalities , and certainly not true of every instance . We can be safe only in a close study of each individual text . The greatest contribution to Shakespearean criticism has not , in ...
... remember that these are not rules but sweeping generalities , and certainly not true of every instance . We can be safe only in a close study of each individual text . The greatest contribution to Shakespearean criticism has not , in ...
Pagina 8-137
... remember the singer . Such mundane considerations are left to Cesario . It is more in keeping with him to remember some- thing of the character of the song , especially that it was ' old and antique ' ( for lovers always look away from ...
... remember the singer . Such mundane considerations are left to Cesario . It is more in keeping with him to remember some- thing of the character of the song , especially that it was ' old and antique ' ( for lovers always look away from ...
Pagina 8-243
... remember the words after the first hearing . And in striving to meet this criterion , the lyricist consciously ( if he is an able craftsman ) or unconsciously ( if he just doesn't know any better ) follows certain stereotypes of theme ...
... remember the words after the first hearing . And in striving to meet this criterion , the lyricist consciously ( if he is an able craftsman ) or unconsciously ( if he just doesn't know any better ) follows certain stereotypes of theme ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing