Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-42
... regard for order , and dis- trust of the common people as a factor in politics , have been discussed by generations of critics . His treatment of the house of Lancaster consistently reveals the divine punishment of an usurping line ; a ...
... regard for order , and dis- trust of the common people as a factor in politics , have been discussed by generations of critics . His treatment of the house of Lancaster consistently reveals the divine punishment of an usurping line ; a ...
Pagina 8-74
... regard poetic drama , in such circumstances , as the calling up of patterned emotional responses without any objective intellectual content : its function would be the same as a symphony in music . It is significant that Professor Stoll ...
... regard poetic drama , in such circumstances , as the calling up of patterned emotional responses without any objective intellectual content : its function would be the same as a symphony in music . It is significant that Professor Stoll ...
Pagina 8-142
... regard Hamlet's criticism as ironic , but I cannot see the least reason for regarding it as directly expressing Shakespeare's opinion . Contrast the colloquial energy of the advice to the players , with its rapid modulations in tone ...
... regard Hamlet's criticism as ironic , but I cannot see the least reason for regarding it as directly expressing Shakespeare's opinion . Contrast the colloquial energy of the advice to the players , with its rapid modulations in tone ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing