Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xviii
... reference might usefully be made to one or two items , especially books published after the short bibliography given at the end of ' A Briton True ? ' Although mainly dealing with the period before the twentieth century , the following ...
... reference might usefully be made to one or two items , especially books published after the short bibliography given at the end of ' A Briton True ? ' Although mainly dealing with the period before the twentieth century , the following ...
Pagina 8-41
... reference as contemporary . Neither is confused with the other : the popular song is not thought of as being also popular in the eighteenth century , nor is the eighteenth century character thought of as having a miraculous ...
... reference as contemporary . Neither is confused with the other : the popular song is not thought of as being also popular in the eighteenth century , nor is the eighteenth century character thought of as having a miraculous ...
Pagina 8-55
... reference to a familiar figure , and also implicitly criticising the modern departure from traditional moral and religious standards . Oswald , similarly , is a typically over - civilised Renaissance courtier . When Edgar kills him , he ...
... reference to a familiar figure , and also implicitly criticising the modern departure from traditional moral and religious standards . Oswald , similarly , is a typically over - civilised Renaissance courtier . When Edgar kills him , he ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing