Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-5
... question of legitimate archæological curiosity . But of all these matters of investigation the common reader believes there must some day be an end : the prospect that the questions will be finally answered is the justification for ...
... question of legitimate archæological curiosity . But of all these matters of investigation the common reader believes there must some day be an end : the prospect that the questions will be finally answered is the justification for ...
Pagina 8-45
... question , ' I , sweet sir , at yours : ' And so , ere answer knows what question would , Saving in dialogue of compliment , And talking of the Alps and Apennines , The Pyrenean and the River Po , It draws toward supper in conclusion so ...
... question , ' I , sweet sir , at yours : ' And so , ere answer knows what question would , Saving in dialogue of compliment , And talking of the Alps and Apennines , The Pyrenean and the River Po , It draws toward supper in conclusion so ...
Pagina 8-259
... questions about music . ( Depending on the rapport , the order was some- times reversed . ) The schedule was long and open - ended , pointing toward the problems indicated in the analysis above.11 One question which sometimes led to ...
... questions about music . ( Depending on the rapport , the order was some- times reversed . ) The schedule was long and open - ended , pointing toward the problems indicated in the analysis above.11 One question which sometimes led to ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing