Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xvii
... position in the light of their immediate experience of the thirties . This position is similar to Adorno's in his ' On Popular Music ' printed here , and it is given expression in , for example , the suggestion that a ' joke ' from ...
... position in the light of their immediate experience of the thirties . This position is similar to Adorno's in his ' On Popular Music ' printed here , and it is given expression in , for example , the suggestion that a ' joke ' from ...
Pagina 8-9
... position on a scale between the two extremes of absolute conventionalism and absolute naturalism . At either extreme it would cease to be properly dramatic . Absolute conventionalism would work in symbols bearing no necessary relation ...
... position on a scale between the two extremes of absolute conventionalism and absolute naturalism . At either extreme it would cease to be properly dramatic . Absolute conventionalism would work in symbols bearing no necessary relation ...
Pagina 8-201
... positions in the framework - the begin- ning of the chorus or its reentrance after the bridge — have a better chance for ... position is abso- lute . Every detail is substitutable ; it serves its function only as a cog in a machine . The ...
... positions in the framework - the begin- ning of the chorus or its reentrance after the bridge — have a better chance for ... position is abso- lute . Every detail is substitutable ; it serves its function only as a cog in a machine . The ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing