Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xii
... songs in P. Davison's , Songs of the British Music Hall ( New York , 1971 ) . That collection was itself meant for a ' popular ' audience but it seemed worth an afterword in which to touch on certain critical issues . Music - hall songs ...
... songs in P. Davison's , Songs of the British Music Hall ( New York , 1971 ) . That collection was itself meant for a ' popular ' audience but it seemed worth an afterword in which to touch on certain critical issues . Music - hall songs ...
Pagina 8-208
... popular music means obeying such commands for listening . Popular music commands its own listening - habits . There is another type of individualization claimed in terms of kinds of popular music and differences in name - bands . The ...
... popular music means obeying such commands for listening . Popular music commands its own listening - habits . There is another type of individualization claimed in terms of kinds of popular music and differences in name - bands . The ...
Pagina 8-221
... popular music . The moment of recognition is that of effort- less sensation . The sudden attention attached to this moment burns itself out instanter and relegates the listener to a realm of inattention and distraction . On the one hand ...
... popular music . The moment of recognition is that of effort- less sensation . The sudden attention attached to this moment burns itself out instanter and relegates the listener to a realm of inattention and distraction . On the one hand ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing