Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-60
... poetic drama requires the same sort of attention as is necessary in reading lyric poetry . The impact of naturalistic drama on the mind is a crude and direct impact as of actual experience ; but a situation in poetic drama can be ...
... poetic drama requires the same sort of attention as is necessary in reading lyric poetry . The impact of naturalistic drama on the mind is a crude and direct impact as of actual experience ; but a situation in poetic drama can be ...
Pagina 8-61
... poetic terms . It is therefore dangerous to speak of certain characters as being more ' poetic ' than others : in poetic drama every one necessarily speaks poetry . On a naturalistic approach , we should have to praise Macbeth's First ...
... poetic terms . It is therefore dangerous to speak of certain characters as being more ' poetic ' than others : in poetic drama every one necessarily speaks poetry . On a naturalistic approach , we should have to praise Macbeth's First ...
Pagina 8-62
... poetic drama this rudeness is not directly represented : Othello is articulate even in the statement of his own inarticulacy . His rudeness of speech and forthright nature are , however , obliquely suggested in the unwonted sim- plicity ...
... poetic drama this rudeness is not directly represented : Othello is articulate even in the statement of his own inarticulacy . His rudeness of speech and forthright nature are , however , obliquely suggested in the unwonted sim- plicity ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing