Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 93
Pagina 8-23
... play as play implies the dual awareness of play - world and real world : upon this depends the piquancy of a play - within - the - play , or of the situation in which a boy plays the part of a girl playing the part of a boy ( Julia ...
... play as play implies the dual awareness of play - world and real world : upon this depends the piquancy of a play - within - the - play , or of the situation in which a boy plays the part of a girl playing the part of a boy ( Julia ...
Pagina 8-31
... play ; Jack hath not Jill : these ladies ' courtesy Might well have made our sport a comedy . King : Come , sir , it wants a twelvemonth and a day , And then ' twill end . Biron : That's too long for a play . ( v . ii . 884 ) The young ...
... play ; Jack hath not Jill : these ladies ' courtesy Might well have made our sport a comedy . King : Come , sir , it wants a twelvemonth and a day , And then ' twill end . Biron : That's too long for a play . ( v . ii . 884 ) The young ...
Pagina 8-35
... playing girl playing boy ' pleased in its suggestion of multiple planes of reality . It would , of course , be a pleasure entirely dependent upon the dual consciousness of play - world and real world . I have seen , at a concert - party ...
... playing girl playing boy ' pleased in its suggestion of multiple planes of reality . It would , of course , be a pleasure entirely dependent upon the dual consciousness of play - world and real world . I have seen , at a concert - party ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing