Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-28
... Perhaps he would have welcomed the resources at Ibsen's command , but fortunately he was safe from temptation . I do not suggest that he had any conscious insight into the advantages of his own position ; indeed , its strength lay ...
... Perhaps he would have welcomed the resources at Ibsen's command , but fortunately he was safe from temptation . I do not suggest that he had any conscious insight into the advantages of his own position ; indeed , its strength lay ...
Pagina 8-71
... Perhaps Shakespeare has been incon- sistent ; or perhaps he intends Lady Macbeth to be mistaken ; or , again , Macbeth may have certain scruples on the score of ' human kindness ' , which he represents to himself as merely prudential ...
... Perhaps Shakespeare has been incon- sistent ; or perhaps he intends Lady Macbeth to be mistaken ; or , again , Macbeth may have certain scruples on the score of ' human kindness ' , which he represents to himself as merely prudential ...
Pagina 8-164
... Perhaps this , again , can be explained only by the fading memories of tradition , by remem- bering that in the Tudor and Caroline theatre heroines were frequently supposed to change into male costume and to ' play ' a man's part . The ...
... Perhaps this , again , can be explained only by the fading memories of tradition , by remem- bering that in the Tudor and Caroline theatre heroines were frequently supposed to change into male costume and to ' play ' a man's part . The ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing