Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 18
Pagina 8-142
... original metaphor , its general air of excited urgency : Speak the speech , I pray you , as I pronounced it to you , trippingly on the tongue : but if you mouth it , as many of your players do , I had as lief the town - crier spoke my ...
... original metaphor , its general air of excited urgency : Speak the speech , I pray you , as I pronounced it to you , trippingly on the tongue : but if you mouth it , as many of your players do , I had as lief the town - crier spoke my ...
Pagina 8-190
... original and idiosyncratic to offer . Music - hall songs reveal a number of characteristics which , though not obviously apparent in every song , are found frequently . There is , first of all , an accep- tance of things as they are ...
... original and idiosyncratic to offer . Music - hall songs reveal a number of characteristics which , though not obviously apparent in every song , are found frequently . There is , first of all , an accep- tance of things as they are ...
Pagina 8-274
... original annotations The Mutineers are alarmed at the approach of the British Cavalry . Moderato . அருக்கம் 1 in 1415 , and there were several ballads written to. Where are the Lads of the Village Tonight ? There is close and ...
... original annotations The Mutineers are alarmed at the approach of the British Cavalry . Moderato . அருக்கம் 1 in 1415 , and there were several ballads written to. Where are the Lads of the Village Tonight ? There is close and ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing