Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 44
Pagina 8-18
... mind has been expelled . The neo - classicists were wrong about the need to observe the unities for the sake of plausibility ( their mistake arose from an over hasty identification of naturalism with the practice of the Ancients ) , and ...
... mind has been expelled . The neo - classicists were wrong about the need to observe the unities for the sake of plausibility ( their mistake arose from an over hasty identification of naturalism with the practice of the Ancients ) , and ...
Pagina 8-111
... mind quite sufficiently occupied by the more technical problems involved . But in order to write poetry his mind would be flung open to the widest and deepest possible range of unconscious suggestion . And Shakespeare's was a mind that ...
... mind quite sufficiently occupied by the more technical problems involved . But in order to write poetry his mind would be flung open to the widest and deepest possible range of unconscious suggestion . And Shakespeare's was a mind that ...
Pagina 8-147
... mind : the universe is complex , the human body is complex , the human mind is even very much more complex , especially when taken , as it naturally is , in its social environment . But the conscious processes of the human mind are ...
... mind : the universe is complex , the human body is complex , the human mind is even very much more complex , especially when taken , as it naturally is , in its social environment . But the conscious processes of the human mind are ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing