Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-73
... method of direct statement : the brisk summaries which characters give of themselves and of one another resemble , and are probably akin to , the Theophrastan character - sketch , which was growing popular in Shakespeare's day . Maria's ...
... method of direct statement : the brisk summaries which characters give of themselves and of one another resemble , and are probably akin to , the Theophrastan character - sketch , which was growing popular in Shakespeare's day . Maria's ...
Pagina 8-128
... method of interpretation . ( 2 ) I have already argued that attention to double meaning in the Scriptures , together with the experience of dramatic allegory , must have suggested to both writer and audience the possibility of ' hidden ...
... method of interpretation . ( 2 ) I have already argued that attention to double meaning in the Scriptures , together with the experience of dramatic allegory , must have suggested to both writer and audience the possibility of ' hidden ...
Pagina 8-147
... method . Here in the beginning of science are the beginnings of ' wishful thinking ' . But the method of abstraction and simplifica- tion , which has led science into its practical successes , can never disclose the true nature of the ...
... method . Here in the beginning of science are the beginnings of ' wishful thinking ' . But the method of abstraction and simplifica- tion , which has led science into its practical successes , can never disclose the true nature of the ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing