Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-16
... matter so carrieth it , but thrust in clowns by head and shoulders , to play a part in majestical matters . . However arbitrary this may sound , with its assurance regarding ' right tragedies ' and ' right comedies ' , it is evident ...
... matter so carrieth it , but thrust in clowns by head and shoulders , to play a part in majestical matters . . However arbitrary this may sound , with its assurance regarding ' right tragedies ' and ' right comedies ' , it is evident ...
Pagina 8-87
... matter with due regard for Shakespeare's conventional treatment of character , we are bound to concede a certain inconsistency . Gertrude's account of Ophelia is presumably similar in principle to the villain's recognition of the hero's ...
... matter with due regard for Shakespeare's conventional treatment of character , we are bound to concede a certain inconsistency . Gertrude's account of Ophelia is presumably similar in principle to the villain's recognition of the hero's ...
Pagina 8-139
... matters , would cheerfully accept the song as old for the purposes of the story , and at the same time enjoy it as a new ... matter of the duel , for instance ; and if the need of some such character occurred to Shakespeare after writing ...
... matters , would cheerfully accept the song as old for the purposes of the story , and at the same time enjoy it as a new ... matter of the duel , for instance ; and if the need of some such character occurred to Shakespeare after writing ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing