Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 16
Pagina ix
... look round mother's head off sandwich in her hand - no mouth to put it in - head of a family off- shocking , shocking . Looking at Whitehall , sir , - fine place – little window - some body else's head off there , eh , sir ? — he didn't ...
... look round mother's head off sandwich in her hand - no mouth to put it in - head of a family off- shocking , shocking . Looking at Whitehall , sir , - fine place – little window - some body else's head off there , eh , sir ? — he didn't ...
Pagina 8-25
... look for a revival of the drama , since only there do the rudiments survive of an appropriate psychological situation . Isolated writers and the artificial efforts of repertory can achieve little , for a flourishing drama is the ...
... look for a revival of the drama , since only there do the rudiments survive of an appropriate psychological situation . Isolated writers and the artificial efforts of repertory can achieve little , for a flourishing drama is the ...
Pagina 8-205
... look more up - to - date , whereas it has actually adapted industrial methods for the technique of its promotion . It would not increase the costs of production if the various composers of hit tunes did not follow certain standard pat ...
... look more up - to - date , whereas it has actually adapted industrial methods for the technique of its promotion . It would not increase the costs of production if the various composers of hit tunes did not follow certain standard pat ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
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Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing