Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xii
... less sympathetic to popular music . It was published in 1941 and is born of a despairing analysis of the weakness of the mass and the state of Western capitalism in the 1930s , and the vulnerability of both to fascism . It is the ...
... less sympathetic to popular music . It was published in 1941 and is born of a despairing analysis of the weakness of the mass and the state of Western capitalism in the 1930s , and the vulnerability of both to fascism . It is the ...
Pagina 8-26
... less hazardous than the anthropologist's habit of arguing from the decadent savage of to - day to the state of primitive man . Our modern audience has little susceptibility to words , and is less inclined than the Elizabethans to seek ...
... less hazardous than the anthropologist's habit of arguing from the decadent savage of to - day to the state of primitive man . Our modern audience has little susceptibility to words , and is less inclined than the Elizabethans to seek ...
Pagina 8-40
... less margin of error in assuming the mental processes of all civilised human beings to be fundamentally similar , than in the modern popular tendency to confuse the Elizabethan or medieval mind with that of Neanderthal Man . Be this as ...
... less margin of error in assuming the mental processes of all civilised human beings to be fundamentally similar , than in the modern popular tendency to confuse the Elizabethan or medieval mind with that of Neanderthal Man . Be this as ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing