Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xi
... later springs to mind : In Düsseldorf about two years ago I took , as is the Continental custom , a bow with a German cast of The Caretaker at the end of the play on the first night . I was at once booed violently by what must have been ...
... later springs to mind : In Düsseldorf about two years ago I took , as is the Continental custom , a bow with a German cast of The Caretaker at the end of the play on the first night . I was at once booed violently by what must have been ...
Pagina xiii
... later in The Penguin Film Review , 4. Its style and its tongue - in - cheek analysis of commercial song lyrics strikes a very different note from Adorno's theoretical treatment of a similar subject , but the articles have much in common ...
... later in The Penguin Film Review , 4. Its style and its tongue - in - cheek analysis of commercial song lyrics strikes a very different note from Adorno's theoretical treatment of a similar subject , but the articles have much in common ...
Pagina 8-19
... later , in the same way , that movement in dramatic criticism , which began with the exaltation of reason , ended in submission to the dictatorship of meaningless physical phenomena . For in the nineteenth century philosophic naturalism ...
... later , in the same way , that movement in dramatic criticism , which began with the exaltation of reason , ended in submission to the dictatorship of meaningless physical phenomena . For in the nineteenth century philosophic naturalism ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing