Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-110
... interpretation ; ( 1 ) and only the Anabaptists , fathers of modern fundamentalism , desired that the literal meaning of the Scriptures should alone be accepted . Shakespeare's audience were accustomed to having the mystical ...
... interpretation ; ( 1 ) and only the Anabaptists , fathers of modern fundamentalism , desired that the literal meaning of the Scriptures should alone be accepted . Shakespeare's audience were accustomed to having the mystical ...
Pagina 8-128
... interpreted directly of Cleopatra as a woman ; and it is only the circumambient suggestion of immortality , with the heightened rhythm , which assists in building her up into the symbol of a way of life . In the mystical interpretation ...
... interpreted directly of Cleopatra as a woman ; and it is only the circumambient suggestion of immortality , with the heightened rhythm , which assists in building her up into the symbol of a way of life . In the mystical interpretation ...
Pagina 8-148
... interpret the whole of experience ; and this is why it is a major disaster when the arts become unduly influenced by ... interpretation of three hundred years ' standing . Dr. Greg has no more chance of general acceptance than Professor ...
... interpret the whole of experience ; and this is why it is a major disaster when the arts become unduly influenced by ... interpretation of three hundred years ' standing . Dr. Greg has no more chance of general acceptance than Professor ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing