Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina xiv
... important element within ' the popular ' , ' the mass ' : a minority capable of recognizing adult manipulative processes in commercial popular music and which expresses social rebellion through its interest in ' minority popular ' music ...
... important element within ' the popular ' , ' the mass ' : a minority capable of recognizing adult manipulative processes in commercial popular music and which expresses social rebellion through its interest in ' minority popular ' music ...
Pagina 8-22
... important : the ability to keep simultaneously in mind two opposite aspects of a situation . The pleasure apparently aroused in the Elizabethan theatre by a concurrence of seeming incompatibles is obviously related to the vogue of ...
... important : the ability to keep simultaneously in mind two opposite aspects of a situation . The pleasure apparently aroused in the Elizabethan theatre by a concurrence of seeming incompatibles is obviously related to the vogue of ...
Pagina 8-44
... important than questions of character . The great personages are presented in bare outline : they are hypostatisations of political standpoints , with little human detail . Even so , there is usually an attempt to give them the ...
... important than questions of character . The great personages are presented in bare outline : they are hypostatisations of political standpoints , with little human detail . Even so , there is usually an attempt to give them the ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing