Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-45
... hand , When his fair angels would salute my palm ; But for my hand , as unattempted yet , Like a poor beggar , raileth on the rich . Well , whiles I am a beggar , I will rail And say there is no sin but to be rich ; And being rich , my ...
... hand , When his fair angels would salute my palm ; But for my hand , as unattempted yet , Like a poor beggar , raileth on the rich . Well , whiles I am a beggar , I will rail And say there is no sin but to be rich ; And being rich , my ...
Pagina 8-125
... hand in hand , And with our sprightly port make the ghosts gaze : Dido and her Aeneas shall want troops , And all the haunt be ours— ( IV . xiv . 51 ) J this is not the shadow world of Aeneid VI . 8/125.
... hand in hand , And with our sprightly port make the ghosts gaze : Dido and her Aeneas shall want troops , And all the haunt be ours— ( IV . xiv . 51 ) J this is not the shadow world of Aeneid VI . 8/125.
Pagina 8-221
... hand , the domain of production and plugging presupposes distraction and , on the other , produces it . In this situation the industry faces an insoluble problem . It must arouse attention by means of ever - new products , but this ...
... hand , the domain of production and plugging presupposes distraction and , on the other , produces it . In this situation the industry faces an insoluble problem . It must arouse attention by means of ever - new products , but this ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing