Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-190
... given in this volume ) . In directly addressing the audience , the per- former may break the continuity of that direct address by dissociating the per- sona adopted from that of the comedian's own self ; this demands of an audience the ...
... given in this volume ) . In directly addressing the audience , the per- former may break the continuity of that direct address by dissociating the per- sona adopted from that of the comedian's own self ; this demands of an audience the ...
Pagina 8-215
... given in popular music as much as , or even to a greater extent than , the elements are themselves . Hence , recognition and understanding must here coincide , whereas in serious music understanding is the act by which universal ...
... given in popular music as much as , or even to a greater extent than , the elements are themselves . Hence , recognition and understanding must here coincide , whereas in serious music understanding is the act by which universal ...
Pagina 8-227
... given them and to become mere centers of socially conditioned reflexes . The entomological term jitterbug underscores this . It refers to an insect who has the jitters , who is attracted passively by some given stimulus , such as light ...
... given them and to become mere centers of socially conditioned reflexes . The entomological term jitterbug underscores this . It refers to an insect who has the jitters , who is attracted passively by some given stimulus , such as light ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing