Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 49
Pagina 8-65
... facts , as they are , and as they will be ( for it includes an element of the prophetic ) . Henry , we are told ... fact , prove all the more popular for discarding his old associates on becoming king . The rejection of Falstaff is ...
... facts , as they are , and as they will be ( for it includes an element of the prophetic ) . Henry , we are told ... fact , prove all the more popular for discarding his old associates on becoming king . The rejection of Falstaff is ...
Pagina 8-75
... fact that he was kicked by a horse in infancy . But in point of fact , most of us are content most of the time to be interested in what is said , for its own sake . The naturalistic playwright , however , is deliberately revealing ...
... fact that he was kicked by a horse in infancy . But in point of fact , most of us are content most of the time to be interested in what is said , for its own sake . The naturalistic playwright , however , is deliberately revealing ...
Pagina 8-217
... fact that an individual is capable of identifying an object as this or that allows him to take vicarious part in the institution which made the event what it is and to identify him- self with this very institution . 66 d ) The element ...
... fact that an individual is capable of identifying an object as this or that allows him to take vicarious part in the institution which made the event what it is and to identify him- self with this very institution . 66 d ) The element ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing