Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-67
... expressed in action on the Eliza- bethan stage than on the modern , naturalistic stage , and the narrative mode is used a good deal - always , of course , blended with the dramatic . Naturalistic expression of physical and mental states ...
... expressed in action on the Eliza- bethan stage than on the modern , naturalistic stage , and the narrative mode is used a good deal - always , of course , blended with the dramatic . Naturalistic expression of physical and mental states ...
Pagina 8-240
... expressed for the men of World War II by the song : Don't sit under the apple tree With anyone else but me , Anyone ... expression to déjà vu : It seems we stood and talked like this before , We looked at each other in the same way then ...
... expressed for the men of World War II by the song : Don't sit under the apple tree With anyone else but me , Anyone ... expression to déjà vu : It seems we stood and talked like this before , We looked at each other in the same way then ...
Pagina 8-243
... expression , the poet of the popular song has taken for his standard part of the idea of the first type and has created a new and third type , ( c ) , whose formula is ' what oft was thought and many , many times expressed in the same ...
... expression , the poet of the popular song has taken for his standard part of the idea of the first type and has created a new and third type , ( c ) , whose formula is ' what oft was thought and many , many times expressed in the same ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing