Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-63
... explanation of Rosalind's behaviour would introduce into her character a warring element foreign to the writer's ... explanation , doubtless because Shakespeare had no psychological explanation to hand . Edgar , having assumed the Poor ...
... explanation of Rosalind's behaviour would introduce into her character a warring element foreign to the writer's ... explanation , doubtless because Shakespeare had no psychological explanation to hand . Edgar , having assumed the Poor ...
Pagina 8-100
... explain this remarkable apostrophe . What did Shakespeare intend by it ? The ' one in sumptuous armour ' was surely ... explanation . What I suggest is that Shakespeare saw in the incident in Lydgate an allegory similar to the ' whited ...
... explain this remarkable apostrophe . What did Shakespeare intend by it ? The ' one in sumptuous armour ' was surely ... explanation . What I suggest is that Shakespeare saw in the incident in Lydgate an allegory similar to the ' whited ...
Pagina 8-155
... explain who they are and what they are doing , so that the Ghost can interpret the ' mystery ' for himself . Yet even after the presenter's speech , the audience might remain in partial ignorance , since they have not the Ghost's ...
... explain who they are and what they are doing , so that the Ghost can interpret the ' mystery ' for himself . Yet even after the presenter's speech , the audience might remain in partial ignorance , since they have not the Ghost's ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing