Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-73
... dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will usually correspond to the account given of him by the method of direct statement : Malvolio's ...
... dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will usually correspond to the account given of him by the method of direct statement : Malvolio's ...
Pagina 8-91
... dialogue . Its deeper themes are conveyed mainly in the dialogue , and almost incidentally : the concern with court versus country , and the question of literary pastoral . There is a triple burlesque : of the courtiers who sigh for the ...
... dialogue . Its deeper themes are conveyed mainly in the dialogue , and almost incidentally : the concern with court versus country , and the question of literary pastoral . There is a triple burlesque : of the courtiers who sigh for the ...
Pagina 8-92
... dialogue , which are all fused into a poetic and dramatic whole . Again , whereas the comic themes are relatively intellectual , and capable of detached treatment as ideas within the dialogue , the tragedies are concerned with man's ...
... dialogue , which are all fused into a poetic and dramatic whole . Again , whereas the comic themes are relatively intellectual , and capable of detached treatment as ideas within the dialogue , the tragedies are concerned with man's ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing