Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 33
Pagina 8-90
... death and what comes after death . Their flippancy is successful just because of its incongruity with our deepest feelings . There is nothing new in Touchstone's verdict upon love , and nothing sinister in his tone , that we should take ...
... death and what comes after death . Their flippancy is successful just because of its incongruity with our deepest feelings . There is nothing new in Touchstone's verdict upon love , and nothing sinister in his tone , that we should take ...
Pagina 8-106
... death , by thee beguiled , By cruel , cruel thee quite overthrown ! O love ! O life ! not life , but love in death ! ( IV . v . 55 ) And Capulet follows in the same manner , beginning with the list of epithets and going on to his ...
... death , by thee beguiled , By cruel , cruel thee quite overthrown ! O love ! O life ! not life , but love in death ! ( IV . v . 55 ) And Capulet follows in the same manner , beginning with the list of epithets and going on to his ...
Pagina 8-126
... death is more studied , as she symbolises the affirmation of life . She , too , must go by the Roman way of negation : My desolation does begin to make A better life . ( v . ii . 1 ) In desolation she realises her inalienable ...
... death is more studied , as she symbolises the affirmation of life . She , too , must go by the Roman way of negation : My desolation does begin to make A better life . ( v . ii . 1 ) In desolation she realises her inalienable ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing