Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-10
... conventional ancestry than used to be suspected . Attention directed to the physical conditions of the Elizabethan theatre has revealed a number of conventions in dramatic pro- duction which are plainly survivals of the long - continued ...
... conventional ancestry than used to be suspected . Attention directed to the physical conditions of the Elizabethan theatre has revealed a number of conventions in dramatic pro- duction which are plainly survivals of the long - continued ...
Pagina 8-11
... conventional tradition . He speaks disparagingly of Shake- speare's ' primitive ' art - form , and seems to confuse ... conventionally impenetrable , slander was conventionally believed , and characters conformed to type : the Avenger ...
... conventional tradition . He speaks disparagingly of Shake- speare's ' primitive ' art - form , and seems to confuse ... conventionally impenetrable , slander was conventionally believed , and characters conformed to type : the Avenger ...
Pagina 8-247
... conventional rhyme and conventional phrase might well be the matter for another study , and this essay will limit itself to a listing of some of the better- known familiar rhymes . Lyricists still recognise the integrity of June's ...
... conventional rhyme and conventional phrase might well be the matter for another study , and this essay will limit itself to a listing of some of the better- known familiar rhymes . Lyricists still recognise the integrity of June's ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing