Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-40
... contemporary costume ; but that a sort of ' fancy dress ' would be employed , contemporary in essentials , yet suggestive in detail of the place and period required . We may compare Inigo Jones ' costume designs for the court masques ...
... contemporary costume ; but that a sort of ' fancy dress ' would be employed , contemporary in essentials , yet suggestive in detail of the place and period required . We may compare Inigo Jones ' costume designs for the court masques ...
Pagina 8-42
... contemporary life . Shakespeare , on the other hand , is able to use all the richness of his contemporary experience in writing of the past . For it is not only in ' anachronisms ' and occasional refer- ences that contemporary life ...
... contemporary life . Shakespeare , on the other hand , is able to use all the richness of his contemporary experience in writing of the past . For it is not only in ' anachronisms ' and occasional refer- ences that contemporary life ...
Pagina 8-48
... contemporary reference and anachronism are here limited to the imagery ( ' As cannons over- charged with double cracks ' ( Macb . 1. ii . 37 ) ) , and to the broad theme of individual ambition versus traditional religious sanctions ...
... contemporary reference and anachronism are here limited to the imagery ( ' As cannons over- charged with double cracks ' ( Macb . 1. ii . 37 ) ) , and to the broad theme of individual ambition versus traditional religious sanctions ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing