Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 52
Pagina 8-101
... consciousness . In addition to the usual dual consciousness of play - world and real world , and of past and present time , there is the dual consciousness of story and philoso- phy , since the two are not wholly merged ; there is the ...
... consciousness . In addition to the usual dual consciousness of play - world and real world , and of past and present time , there is the dual consciousness of story and philoso- phy , since the two are not wholly merged ; there is the ...
Pagina 8-104
... consciousness in temporal succession . Furthermore , such rapid shifts of viewpoint are possible only when consciousness of the play as play safe- guards the audience from any expectation of naturalism . ' Comic relief ' has always ...
... consciousness in temporal succession . Furthermore , such rapid shifts of viewpoint are possible only when consciousness of the play as play safe- guards the audience from any expectation of naturalism . ' Comic relief ' has always ...
Pagina 8-147
... consciousness of the audience as ( a ) serious for Hamlet , and ( b ) actually burlesque ; such an attitude being easy and natural where there is clear consciousness of the play as play . The Bradleyan attitude , on the other hand ...
... consciousness of the audience as ( a ) serious for Hamlet , and ( b ) actually burlesque ; such an attitude being easy and natural where there is clear consciousness of the play as play . The Bradleyan attitude , on the other hand ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing