Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-74
... concern , as a practical dramatist , is mainly with the stage types held as common property among Elizabethan writers : Jaques , the melancholy man ; Sir Andrew , the ' natural ' ; Parolles , the cowardly braggart ... concerned with 74/8.
... concern , as a practical dramatist , is mainly with the stage types held as common property among Elizabethan writers : Jaques , the melancholy man ; Sir Andrew , the ' natural ' ; Parolles , the cowardly braggart ... concerned with 74/8.
Pagina 8-75
... concerned with the nature of tragedy , but with the nature of sin , and it is the nature of sin to harden heroes into villains , crime by crime . Shakespeare's characters , we know , are not photographic transcripts of human individuals ...
... concerned with the nature of tragedy , but with the nature of sin , and it is the nature of sin to harden heroes into villains , crime by crime . Shakespeare's characters , we know , are not photographic transcripts of human individuals ...
Pagina 8-148
... concerned only with those aspects of the universe which may be measured , or concerning which verifiable hypotheses may be projected . The arts , on the other hand , are concerned to interpret the whole of experience ; and this is why ...
... concerned only with those aspects of the universe which may be measured , or concerning which verifiable hypotheses may be projected . The arts , on the other hand , are concerned to interpret the whole of experience ; and this is why ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing