Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-17
... complete a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first Athens , and then Sicily , which was always known to be neither Sicily nor Athens , but a modern ...
... complete a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first Athens , and then Sicily , which was always known to be neither Sicily nor Athens , but a modern ...
Pagina 8-22
... complete denial of the relevance of psychology to characterisation in drama and fiction . I shall take up this whole matter in due course . ( 2 ) Meanwhile , though I doubt its existence in the connections named by Miss Bradbrook , she ...
... complete denial of the relevance of psychology to characterisation in drama and fiction . I shall take up this whole matter in due course . ( 2 ) Meanwhile , though I doubt its existence in the connections named by Miss Bradbrook , she ...
Pagina 8-110
... complete in itself . When I claim , however , that a play of Shake- speare has a significance beyond the mere story and characters in themselves , I do not suggest that this further significance is anywhere abstractly formulated : I ...
... complete in itself . When I claim , however , that a play of Shake- speare has a significance beyond the mere story and characters in themselves , I do not suggest that this further significance is anywhere abstractly formulated : I ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing