Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-31
... comedy . King : Come , sir , it wants a twelvemonth and a day , And then ' twill end . Biron : That's too long for a play . ( v . ii . 884 ) The young Shakespeare , commenting in public on his technique , reinforces the dual ...
... comedy . King : Come , sir , it wants a twelvemonth and a day , And then ' twill end . Biron : That's too long for a play . ( v . ii . 884 ) The young Shakespeare , commenting in public on his technique , reinforces the dual ...
Pagina 8-104
... Comedy and Tragedy Mixed THE MIXTURE of comedy and tragedy , so often debated by critics who take their Poetics seriously , is founded psychologically on the popular audience's ability to shift rapidly its modes of attention ; and this ...
... Comedy and Tragedy Mixed THE MIXTURE of comedy and tragedy , so often debated by critics who take their Poetics seriously , is founded psychologically on the popular audience's ability to shift rapidly its modes of attention ; and this ...
Pagina 8-105
... comedy entirely disappear from the scene when tragic emotion enters , for there is a grotesque comedy in the exaggerated language of Laertes : Now pile your dust upon the quick and dead , Till of this flat a mountain you have made , To ...
... comedy entirely disappear from the scene when tragic emotion enters , for there is a grotesque comedy in the exaggerated language of Laertes : Now pile your dust upon the quick and dead , Till of this flat a mountain you have made , To ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing