Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-58
... character than about any other theme in Shakespearean criticism . The study of character is , of course , important , though it is not everything ; but the typical Victorian character criticism consisted entirely of psychological ...
... character than about any other theme in Shakespearean criticism . The study of character is , of course , important , though it is not everything ; but the typical Victorian character criticism consisted entirely of psychological ...
Pagina 8-69
... characters who deliver them . But the approach to character , initially complicated by the fact that Shakespeare wrote in verse , has nevertheless been considerably simplified for us by his employ- ment of the narrative method . It is ...
... characters who deliver them . But the approach to character , initially complicated by the fact that Shakespeare wrote in verse , has nevertheless been considerably simplified for us by his employ- ment of the narrative method . It is ...
Pagina 8-94
... character . Other figures are more com- pletely allegorical : Shame describes the king's misdeeds ; the people ... character , I use the term ' allegory ' to signify the representation of a virtue or vice or of some other abstraction ...
... character . Other figures are more com- pletely allegorical : Shame describes the king's misdeeds ; the people ... character , I use the term ' allegory ' to signify the representation of a virtue or vice or of some other abstraction ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing