Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-224
... called releas- ing element of music is simply the opportunity to feel something . But the actual content of this emotion can only be frustration . Emotional music has become the image of the mother who says , " Come and weep , my child ...
... called releas- ing element of music is simply the opportunity to feel something . But the actual content of this emotion can only be frustration . Emotional music has become the image of the mother who says , " Come and weep , my child ...
Pagina 8-268
... called English Caricature and Satire of Napoleon I in 1884 ) but one stanza of one song , The Voice of the British Isles to the tune Hearts of Oak will suffice : With lies , and with many a Gallican wile , They spread their dread poison ...
... called English Caricature and Satire of Napoleon I in 1884 ) but one stanza of one song , The Voice of the British Isles to the tune Hearts of Oak will suffice : With lies , and with many a Gallican wile , They spread their dread poison ...
Pagina 8-270
... called the ' official public attitude ' to matters of race is astonishing . It was still thought a com- mercial proposition to reprint the song Great Britain is the Noblest Land in 1924 in a fortnightly series called The World's ...
... called the ' official public attitude ' to matters of race is astonishing . It was still thought a com- mercial proposition to reprint the song Great Britain is the Noblest Land in 1924 in a fortnightly series called The World's ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing