Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 17
Pagina 8-147
... beginning of science are the beginnings of ' wishful thinking ' . But the method of abstraction and simplifica- tion , which has led science into its practical successes , can never disclose the true nature of the universe , since only ...
... beginning of science are the beginnings of ' wishful thinking ' . But the method of abstraction and simplifica- tion , which has led science into its practical successes , can never disclose the true nature of the universe , since only ...
Pagina 8-201
... beginning of the chorus is replaceable by the beginning of innumerable other cho- ruses . The interrelationship among the elements or the relationship of the elements to the whole would be unaffected . In Beethoven , position is ...
... beginning of the chorus is replaceable by the beginning of innumerable other cho- ruses . The interrelationship among the elements or the relationship of the elements to the whole would be unaffected . In Beethoven , position is ...
Pagina 8-237
... beginning or the end of the first eight . Under the pressure of publishers , the formula is becoming more rigid , and there is increasing tendency to place the title line at the very beginning . The second eight bars repeats the melody ...
... beginning or the end of the first eight . Under the pressure of publishers , the formula is becoming more rigid , and there is increasing tendency to place the title line at the very beginning . The second eight bars repeats the melody ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing