Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-189
... become a game in its own right again , as it was in the Shakespearean age . Often this is not the kind of playfulness that appeals to the conventional critic , but it cannot be denied that for performer and audience it provides intense ...
... become a game in its own right again , as it was in the Shakespearean age . Often this is not the kind of playfulness that appeals to the conventional critic , but it cannot be denied that for performer and audience it provides intense ...
Pagina 8-205
... become " frozen . " That is , they have been taken over by cartelized agencies , the final results of a com- petitive process , and rigidly enforced upon material to be promoted . Non - compliance with the rules of the game became the ...
... become " frozen . " That is , they have been taken over by cartelized agencies , the final results of a com- petitive process , and rigidly enforced upon material to be promoted . Non - compliance with the rules of the game became the ...
Pagina 8-230
... become so thin . In order to become a jitterbug or simply to " like " popular music , it does not by any means suffice to give oneself up and to fall in line passively . To become transformed into an insect , man needs that energy which ...
... become so thin . In order to become a jitterbug or simply to " like " popular music , it does not by any means suffice to give oneself up and to fall in line passively . To become transformed into an insect , man needs that energy which ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing