Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-28
... actual life . In the Elizabethan , or the modern experimental theatre , there is no illusion of actual life ; but the audience are vividly aware of acting in progress , and the communication , through their co- operative goodwill , of a ...
... actual life . In the Elizabethan , or the modern experimental theatre , there is no illusion of actual life ; but the audience are vividly aware of acting in progress , and the communication , through their co- operative goodwill , of a ...
Pagina 8-155
... actual audience , that they might know Hamlet's purpose in the presentation of the Gonzago - play . The audience share Hamlet's knowledge of the Ghost's speech , and know that he wishes to trap Claudius into an admission of guilt ; they ...
... actual audience , that they might know Hamlet's purpose in the presentation of the Gonzago - play . The audience share Hamlet's knowledge of the Ghost's speech , and know that he wishes to trap Claudius into an admission of guilt ; they ...
Pagina 8-224
... actual function of sentimen- tal music lies rather in the temporary release given to the awareness that one has missed fulfillment . The emotional listener listens to everything in terms of late roman- ticism and of the musical ...
... actual function of sentimen- tal music lies rather in the temporary release given to the awareness that one has missed fulfillment . The emotional listener listens to everything in terms of late roman- ticism and of the musical ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing