Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-94
... action ; and his poetic thought , always concrete and image- filled , relates to character and action directly , and only indirectly to whatever general truths may be implied . The ' To - morrow , and to - morrow ' speech ( Macb . v . v ...
... action ; and his poetic thought , always concrete and image- filled , relates to character and action directly , and only indirectly to whatever general truths may be implied . The ' To - morrow , and to - morrow ' speech ( Macb . v . v ...
Pagina 8-98
... Action as well as character may be symbolic , even action which is not represented on the stage . Paris ' request that Helen should ' help unarm our Hector ' ( m . i . 163 ) clinches the Helen scene and assures its central position ...
... Action as well as character may be symbolic , even action which is not represented on the stage . Paris ' request that Helen should ' help unarm our Hector ' ( m . i . 163 ) clinches the Helen scene and assures its central position ...
Pagina 8-113
... action , the other in action rather than character . None of these modern critics supplies an answer to their predecessors ' problem ; indeed they share the traditional attitudes , and their attempt to isolate character and action is a ...
... action , the other in action rather than character . None of these modern critics supplies an answer to their predecessors ' problem ; indeed they share the traditional attitudes , and their attempt to isolate character and action is a ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing