Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-11
... Professor Schücking's treatise , translated as Character Problems in Shakespeare's Plays , ( 3 ) shows how far even the presentation of character depends on stage convention rather than the direct representation of life . Apart from ...
... Professor Schücking's treatise , translated as Character Problems in Shakespeare's Plays , ( 3 ) shows how far even the presentation of character depends on stage convention rather than the direct representation of life . Apart from ...
Pagina 8-74
... Professor Schücking has suggested that a character may change , not by psychological development , but quite arbitrarily for dramatic convenience , from scene to scene . I believe this to be true of the comedies , but in tragedy , where ...
... Professor Schücking has suggested that a character may change , not by psychological development , but quite arbitrarily for dramatic convenience , from scene to scene . I believe this to be true of the comedies , but in tragedy , where ...
Pagina 8-149
... Professor Dover Wilson has shown . ( The most formidable theory is that of Professor Dover Wilson himself . He begins by showing that the dumb - show is not there by inadvertence ; it is not a relic of the old play , which Shakespeare ...
... Professor Dover Wilson has shown . ( The most formidable theory is that of Professor Dover Wilson himself . He begins by showing that the dumb - show is not there by inadvertence ; it is not a relic of the old play , which Shakespeare ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing