Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 24
Pagina 8-114
... Antony , or Cleopatra , or the Empire , his verse too takes on the grandeur and dignity met with in the others : e.g. his description of Antony's military asceticism : · on the Alps It is reported thou didst eat strange flesh , Which ...
... Antony , or Cleopatra , or the Empire , his verse too takes on the grandeur and dignity met with in the others : e.g. his description of Antony's military asceticism : · on the Alps It is reported thou didst eat strange flesh , Which ...
Pagina 8-119
... Antony , and in full and disapproving knowledge of Antony's mode of life : Let us grant , it is not Amiss to tumble on the bed of Ptolemy ; To give a kingdom for a mirth ; to sit And keep the turn of tippling with a slave ; To reel the ...
... Antony , and in full and disapproving knowledge of Antony's mode of life : Let us grant , it is not Amiss to tumble on the bed of Ptolemy ; To give a kingdom for a mirth ; to sit And keep the turn of tippling with a slave ; To reel the ...
Pagina 8-125
... Antony's purgatory lies in military failure and a bungled suicide prompted by the false report of Cleopatra's death ; Cleopatra's in surviving Antony , and in the thought of a Roman triumph . In the end the better Roman qualities are ...
... Antony's purgatory lies in military failure and a bungled suicide prompted by the false report of Cleopatra's death ; Cleopatra's in surviving Antony , and in the thought of a Roman triumph . In the end the better Roman qualities are ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing