Shakespeare's Early TragediesMethuen, 1968 - 214 pagini Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Pagina 66
... give me leave By circumstance but to acquit myself . Vouchsafe , diffus'd infection of a man , Of these known evils but to give me leave By circumstance to accuse thy cursed self . ( 68-80 ) The whole dialogue is a triumph of rhetoric ...
... give me leave By circumstance but to acquit myself . Vouchsafe , diffus'd infection of a man , Of these known evils but to give me leave By circumstance to accuse thy cursed self . ( 68-80 ) The whole dialogue is a triumph of rhetoric ...
Pagina 97
... give again . ROMEO : Wouldst thou withdraw it ? For what purpose , love ? JULIET : But to be frank , and give it thee again . ( 126–31 ) Romeo is never frank ; and Juliet is given the Romeo and Juliet 97.
... give again . ROMEO : Wouldst thou withdraw it ? For what purpose , love ? JULIET : But to be frank , and give it thee again . ( 126–31 ) Romeo is never frank ; and Juliet is given the Romeo and Juliet 97.
Pagina 104
... Give me , give me ! O , tell me not of fear ! ( IV . i . 121 ) And as Mercutio was left behind in the second Act , mocking the mock - love and never perceiving the real , so now the Capulets are left wailing the mock - death ( in ...
... Give me , give me ! O , tell me not of fear ! ( IV . i . 121 ) And as Mercutio was left behind in the second Act , mocking the mock - love and never perceiving the real , so now the Capulets are left wailing the mock - death ( in ...
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Termeni și expresii frecvente
Aaron action ambivalence Antony audience beast becomes blank verse blood Bolingbroke Brutus Cassius character choric Clarence Clarence's Claudius climax comedy comic conscience contrast course criticism curse death divine doth Dover Wilson dramatic dream earlier plays echoes Elizabethan emblem emblematic emerges established experience fact Faerie Queene father figure final formal ghost Hamlet hath heaven and hell Henry heroic Horatio human irony judgement Julius Caesar kind king Laertes later plays Lavinia Lucius Lucrece Marcus Margaret Mercutio mode murder nature night nobility noble obvious Ophelia pattern play's poetic poetry political Polonius prose Queen Queen Mab question Rape of Lucrece revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy Spanish Tragedy speech splendour stage storm stress structure suggested Tamora thee theme thing thou tion Titus Andronicus tone tragedy tragic utterance words
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Shakespeare's Political Drama: The History Plays and the Roman Plays Alexander Leggatt Nu există previzualizare disponibilă - 1989 |