The Stage and the SchoolHarper & brothers, 1932 - 449 pagini Outlines the history of drama and aspects of dramatic interpretation and production. |
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Pagina 269
... lines in draperies , columns , or costumes suggest dignity . Vertical lines may be used to suggest cathedrals , temples , and solemn places ; hori- zontal lines have the opposite effect . In a recent production of St. Simeon Stylites ...
... lines in draperies , columns , or costumes suggest dignity . Vertical lines may be used to suggest cathedrals , temples , and solemn places ; hori- zontal lines have the opposite effect . In a recent production of St. Simeon Stylites ...
Pagina 292
... Lines in dress should harmonize with the human body , without constricting or exaggerating it ; a stout person should cultivate long , vertical lines in waists , skirts , neck lines , hairdressing , and hats ; tall thin peo- ple should ...
... Lines in dress should harmonize with the human body , without constricting or exaggerating it ; a stout person should cultivate long , vertical lines in waists , skirts , neck lines , hairdressing , and hats ; tall thin peo- ple should ...
Pagina 354
... lines as vividly as do the main characters in their thousands of lines . Note how often Shakespeare uses two characters or two sets of characters in direct contrast or comparison , each making the other more interesting as the result ...
... lines as vividly as do the main characters in their thousands of lines . Note how often Shakespeare uses two characters or two sets of characters in direct contrast or comparison , each making the other more interesting as the result ...
Cuprins
APPRECIATING THE DRAMA I THE STUDENT AND THE DRAMA | 1 |
THE PLAY AND ITS STRUCTURE | 12 |
THE TYPES of the Drama | 45 |
Drept de autor | |
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The Stage and the School (Classic Reprint) Katharine Anne Ommanney Nu există previzualizare disponibilă - 2018 |
The Stage and the School (Classic Reprint) Katharine Anne Ommanney Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
acting action actors actresses amateur appeal audience background bells bodily body breath Bumbu cast climax color comedy costumes cues curtain David Belasco developed dialogue diction director DISCUSSION dramatics class dramatists dress effects emotional Eugene O'Neill exercises expression eyes feel G. P. Putnam's Sons George Arliss girl Give examples ideas important inflections interest interpretation Julius Cæsar keep Lady Lady Gregory laugh lines Little Theatre look make-up means MISS STUART modern mood movement One-Act Plays paint pantomime Paolo passages performance person Pierrette Pierrot pitch playwright plot Poor Maddalena practical preliminary situation present problem production reaction realistic rehearsals rôles Samuel French scene scenery scenic artist selection Shakespeare soft palate speak speech spirit gum stage lighting student theatrical theme tion tongue tragedy types usually vocal voice vowel vowel sounds Walter Hampden words Write Zona Gale