The Stage and the SchoolHarper & brothers, 1932 - 449 pagini Outlines the history of drama and aspects of dramatic interpretation and production. |
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Pagina 159
... Bells " aloud , suggesting by tone quality , pitch , inflection , energy , and time elements the characteristics of the different bells . Bring out the fullest quality of the vowels of the accented syllables . Hear the sledges with the ...
... Bells " aloud , suggesting by tone quality , pitch , inflection , energy , and time elements the characteristics of the different bells . Bring out the fullest quality of the vowels of the accented syllables . Hear the sledges with the ...
Pagina 160
... bells , bells , bells , Of the bells , bells , bells , bells , Bells , bells , bells- To the rhyming and the chiming of the bells ! Hear the loud alarum bells- Brazen bells ! What a tale of terror now their turbulency tells ! In the ...
... bells , bells , bells , Of the bells , bells , bells , bells , Bells , bells , bells- To the rhyming and the chiming of the bells ! Hear the loud alarum bells- Brazen bells ! What a tale of terror now their turbulency tells ! In the ...
Pagina 162
Katharine Anne Ommanney. Of the bells , bells , bells , bells , Bells , bells , bells- To the moaning and the groaning of the bells . -EDGAR ALLAN POE 6. Read the following passages aloud ; first carefully analyze their meanings ; then ...
Katharine Anne Ommanney. Of the bells , bells , bells , bells , Bells , bells , bells- To the moaning and the groaning of the bells . -EDGAR ALLAN POE 6. Read the following passages aloud ; first carefully analyze their meanings ; then ...
Cuprins
APPRECIATING THE DRAMA I THE STUDENT AND THE DRAMA | 1 |
THE PLAY AND ITS STRUCTURE | 12 |
THE TYPES of the Drama | 45 |
Drept de autor | |
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The Stage and the School (Classic Reprint) Katharine Anne Ommanney Nu există previzualizare disponibilă - 2018 |
The Stage and the School (Classic Reprint) Katharine Anne Ommanney Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
acting action actors actresses amateur appeal audience background bells bodily body breath Bumbu cast climax color comedy costumes cues curtain David Belasco developed dialogue diction director DISCUSSION dramatics class dramatists dress effects emotional Eugene O'Neill exercises expression eyes feel G. P. Putnam's Sons George Arliss girl Give examples ideas important inflections interest interpretation Julius Cæsar keep Lady Lady Gregory laugh lines Little Theatre look make-up means MISS STUART modern mood movement One-Act Plays paint pantomime Paolo passages performance person Pierrette Pierrot pitch playwright plot Poor Maddalena practical preliminary situation present problem production reaction realistic rehearsals rôles Samuel French scene scenery scenic artist selection Shakespeare soft palate speak speech spirit gum stage lighting student theatrical theme tion tongue tragedy types usually vocal voice vowel vowel sounds Walter Hampden words Write Zona Gale