Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 9
... whole in the part , and with a triumphant energy relating part to part in a living whole . But it is only in relation to that larger all - embracing meaning - determined by the ' plain sense ' of what is said , and by its overtones , by ...
... whole in the part , and with a triumphant energy relating part to part in a living whole . But it is only in relation to that larger all - embracing meaning - determined by the ' plain sense ' of what is said , and by its overtones , by ...
Pagina 102
... whole . To be sure the accumulated meaning of the play puts sufficient weight behind the bitterness , but the whole relevant context forbids a simple response . The context of course is not something ' out there ' that can be ...
... whole . To be sure the accumulated meaning of the play puts sufficient weight behind the bitterness , but the whole relevant context forbids a simple response . The context of course is not something ' out there ' that can be ...
Pagina 145
... whole- hearted response to that ideal demands some personal integration and maturity , and Coriolanus , as Wyndham Lewis remarked [ 11 ] , remains to the end the ' boy ' that Aufidius taunts him with being . Not indeed that we accept ...
... whole- hearted response to that ideal demands some personal integration and maturity , and Coriolanus , as Wyndham Lewis remarked [ 11 ] , remains to the end the ' boy ' that Aufidius taunts him with being . Not indeed that we accept ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words